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푸투라 서울의
두 번째 시, 2nd Poem


안소니 맥콜 Anthony McCall (British, b. 1946)

         안소니 맥콜은 빛을 입체적 형태로 구현하는 '솔리드-라이트' 설치 작품으로 현대미술사에 큰 족적을 남긴 작가입니다. 1973년 "Line Describing a Cone"을 시작으로, 투사된 빛이 3차원 공간에서 서서히 진화하는 작품들을 선보여 왔습니다. 조각, 영화, 드로잉의 경계를 자유롭게 넘나드는 그의 작품은 휘트니 미술관, 테이트 모던, 퐁피두 센터 등 세계 유수의 미술관에서 전시되며 그 예술성을 인정받았습니다.

주요 전시

  • "Anthony McCall: Solid Light", 런던 테이트 모던 (2024-25)
  • "On Line: Drawing Through the Twentieth Century", 뉴욕 현대미술관 MoMA (2010-11)
  • "The Cinema Effect: Illusion, Reality and the Projected Image", 워싱턴 DC 허쉬혼 미술관 (2008)
  • "Beyond Cinema: the Art of Projection", 베를린 함부르거 반호프 (2006-07)
  • "The Expanded Eye", 쿤스트하우스 취리히 (2006)
  • "The Expanded Screen: Actions and Installations of the Sixties and Seventies", 비엔나 현대미술관 (2003-04)
  • "Into the Light: the Projected Image in American Art 1964-77", 휘트니 미술관 (2001-02)


맥콜의 작품은 또한 파리 퐁피두 센터(2004), 런던 테이트 브리튼(2004), 샌프란시스코 현대미술관(2007), 런던 서펜타인 갤러리(2007-08), 밀라노 한가르 비코카(2009), 스톡홀름 모데르나 뮤지엣(2009), 포르투 세하우베스(2011), 베를린 함부르거 반호프(2012), 장갈렌 쿤스트뮤지엄(2013), 암스테르담 아이 필름 뮤지엄(2014), 루가노 아르테 에 쿨투라(2015), 파이오니어 웍스(2018), 헵워스 웨이크필드(2018), 올브라이트 녹스 아트 갤러리(2019), 구겐하임 빌바오(2024) 등에서 전시되었습니다.

 주요 출판물로는 "Anthony McCall: 1970s Works on Paper" (앤 바그너, 2013), "Anthony McCall: Notebooks & Conversations" (그레이엄 엘라드, 스티븐 존스톤, 2015), "Anthony McCall: Solid Light Works" (루크 스크레보프스키, 안토니오 소마이니, 2015), "Solid Light, Performance, and Public Works" (글로리아 모우레, 로버트 홉스, 2016), "The Solid Light Films and Related Works" (브랜든 W. 조셉, 조나단 월리, 2005), "Five Minutes of Pure Sculpture" (노암 엘콧, 2012) 등이 있습니다. 또한 그는 2008년 존 사이먼 구겐하임 메모리얼 재단 펠로우십, 2014년 베를린 프라이즈와 베를린 미국 아카데미 펠로우, 2015년 미국 예술문학 아카데미 예술상 등을 수상하였습니다.

Anthony McCall, Between You and I, 2006, installation view 'Plot09', St. Cornelius Chapel, Governor's Island, 2009. Photo by Sam Horine. Courtesy Creative Time.
Anthony McCall, Between You and I, 2006, installation view 'Plot09', St. Cornelius Chapel, Governor's Island, 2009. Photo by Sam Horine. Courtesy Creative Time.
Anthony McCall, installation view, Pioneer Works, Brooklyn, New York, 2018. Photo by Dan Bradica. Image courtesy Pioneer Works.
Anthony McCall, installation view, Pioneer Works, Brooklyn, New York, 2018. Photo by Dan Bradica. Image courtesy Pioneer Works.
Anthony McCall, Between You and I, 2006, Installation View, Hangar Bicocca, Milan, 2009. Photo by Giulio Buono. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Between You and I, 2006, Installation View, Hangar Bicocca, Milan, 2009. Photo by Giulio Buono. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Circulation Figures, 1972/2011, installation view, Serralves Foundation, Portugal, 2011. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Circulation Figures, 1972/2011, installation view, Serralves Foundation, Portugal, 2011. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Circulation Figures, 1972, performance view. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Circulation Figures, 1972, performance view. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Line Describing a Cone, 1973, during the twenty-fourth minute. Installation view, Musee de Rochechouart, 2007. Photograph by Freddy Le Saux.
Anthony McCall, Line Describing a Cone, 1973, during the twenty-fourth minute. Installation view, Musee de Rochechouart, 2007. Photograph by Freddy Le Saux.
Anthony McCall, Line Describing a Cone, 1973, during the twenty-fourth minute. Installation view, Musee de Rochechouart, 2007. Photograph by Freddy Le Saux.
Anthony McCall, Line Describing a Cone, 1973, during the twenty-fourth minute. Installation view, Musee de Rochechouart, 2007. Photograph by Freddy Le Saux.
Anthony McCall, Line Describing a Cone, 1973, installation view, Whitney Museum of American Art, NY, 2001. Photo by Hank Graber. Courtesy of the artist and Sean Kelly Gallery.
Anthony McCall, Line Describing a Cone, 1973, installation view, Whitney Museum of American Art, NY, 2001. Photo by Hank Graber. Courtesy of the artist and Sean Kelly Gallery.
Anthony McCall, Face to Face, 2013, installation view, the Hepworth Wakefield, UK, 2018. Photo by Darren O'Brien/Guzelian. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Face to Face, 2013, installation view, the Hepworth Wakefield, UK, 2018. Photo by Darren O'Brien/Guzelian. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall. Exhibition view, Hamburger Bahnhof, Berlin, Five Minutes of Pure Sculpture, 2012. Photograph by Sean Gallup/Getty Images. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall. Exhibition view, Hamburger Bahnhof, Berlin, Five Minutes of Pure Sculpture, 2012. Photograph by Sean Gallup/Getty Images. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Skylight, 2020, installation view, Sean Kelly Gallery, LA. Photo by Brica Wilcox. Courtesy of the artist and Sean Kelly New York.
Anthony McCall, Skylight, 2020, installation view, Sean Kelly Gallery, LA. Photo by Brica Wilcox. Courtesy of the artist and Sean Kelly New York.
Anthony McCall, installation view, Pioneer Works, Brooklyn, New York, 2018. Photo by Dan Bradica. Image courtesy Pioneer Works.
Anthony McCall, installation view, Pioneer Works, Brooklyn, New York, 2018. Photo by Dan Bradica. Image courtesy Pioneer Works.
Anthony McCall, Between You and I, 2006, installation view, Hangar Bicocca, Milan, 2009. Photo by Giulio Buono. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Between You and I, 2006, installation view, Hangar Bicocca, Milan, 2009. Photo by Giulio Buono. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Landscape for Fire, 1972, performance view, North Weald, England. Photo by David Kilburn. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Landscape for Fire, 1972, performance view, North Weald, England. Photo by David Kilburn. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Landscape for Fire, 1972, still from the 16mm film. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, Landscape for Fire, 1972, still from the 16mm film. Courtesy of the artist, Sean Kelly New York, and Sprüth Magers.
Anthony McCall, installation view at Artists Space, Line Describing a Cone 1973. Photograph by Peter Moore; © Northwestern University.
Anthony McCall, installation view at Artists Space, Line Describing a Cone 1973. Photograph by Peter Moore; © Northwestern University.